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Howard
Kanovitz
resume and bibliography
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education
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Providence
College, B.S. 1945-49
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Rhode
Island School of Design, 1949-51
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New
School for Social Research, 1951-52
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| New
York University, Institute of Fine Arts, 1959-62 |
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public
collections
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austria |
Museum
Moderner Kunst, Vienna
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Salzburger
Landessammlungen, Salzburg |
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england |
London
Council of the Arts, London
Tate Britain, London
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finland |
Sara
Hildenin Taidemuseo, Tampere
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sweden |
Goteborg
Kunstmuseum, Goteborg
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the
netherlands |
Hedendaagse
Kunst Museum, Utrecht
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Museum
Boymans-van Beuningen, Rotterdam
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united
states |
Metropolitan
Museum of Art, New York |
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Guild
Hall Museum, East Hampton, New York
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Hirshhorn
Museum & Sculpture Garden, Washington, D.C.
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Los Angeles County Museum of Art, Los Angeles, California
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The
Jewish Museum, New York
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Whitney
Museum of American Art, New York
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germany |
Kunsthalle Kiel, Kiel |
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Museum
Ludwig, Cologne |
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Museum
Stadt Mulheim a.d. Ruhr, Mulheim |
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Neue
Galerie der Stadt Aachen, Aachen |
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Sprengel
Museum, Hannover |
| Staatliche
Museen Preussischer Kulturbesitz, Berlin |
| Ulmer
Museum, Museum der Stadt Ulm, Ulm |
| Wilhelm-Lehmbruck-Museum,
Duisburg |
| Kunstmuseum
Ulm, Ulm |
| Hamburger
Kunstaalle, Hamburg |
| Weserberg
Museum, Bremen |
| Kunsthalle
Bremen, Bremen |
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solo
exhibitions 
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2000 |
Clark
Fine Art, Southampton
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1999 |
Galerie
Inge Baecker, Cologne
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1998 |
Nabi Gallery, Sag Harbor
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1997 |
Galerie
Ulrich Gering, Cologne Kunstmarkt
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1995 |
Galerie
Inge Baecker, Cologne
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| |
1991 |
Galerie
Inge Baecker, Cologne
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1990 |
Gana
Art Gallery, Seoul, Korea
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Marlborough
Gallery, New York, New York
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1989 |
Hokin
Kaufman Gallery Inc., Chicago, Illinois |
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Galerie
Gering-Kulenkampff, Frankfurt, West Germany
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1988 |
Marlborough
Gallery, New York, New York |
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Galerie
Inge Baecker, Cologne, West Germany
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1987 |
Galerie
Inge Baecker, Cologne, West Germany
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1986 |
Benson
Gallery, Bridgehampton, New York
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1982 |
Alex
Rosenberg Gallery, New York, New York
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1980 |
Kestner-Gesellschaft,
Hannover, West Germany |
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Kunstverein
Freiburg, Frieburg, West Germany |
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Forum
Kunste Rottweil, Rottweil, West Germany |
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Galerie
Jollenbeck, Cologne, West Germany
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1979 |
Akademie
der Kunste, Berlin, West Germany
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| |
1978 |
Alex
Rosenberg Gallery, New York, New York
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| |
1977 |
Galerie
Jollenbeck, Cologne, West Germany |
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Benson
Gallery, Bridgehampton, New York
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1975 |
Stefanotty
Gallery, New York, New York
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1974 |
Wilhelm-Lehmbruck-Museum ,
Duisburg, West Germany |
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Hedendaagse
Kunst, Utrecht, The Netherlands
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1973 |
Galerie
M. E. Thelen, Cologne, West Germany |
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Hedendaagse
Kunst, Utrecht, The Netherlands
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1971 |
Waddell
Gallery, New York, New York |
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Galleri
Ostergren, Malmo, Sweden |
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Everyman
Gallery, New York, New York |
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Benson
Gallery, Bridgehampton, New York
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1970 |
Galerie
M. E. Thelen, Cologne, West Germany |
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Benson
Gallery, Bridgehampton, New York
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1969 |
Waddell
Gallery, New York, New York (February and December)
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1966 |
The
Jewish Museum , New York, New York
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1964 |
Fall
River Art Association, Fall River, Massachusetts
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1962 |
Stable
Gallery, New York, New York |
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group
exhibitions  |
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2000 |
Enez
Whipple Memorial, Guild Hall, East Hampton |
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Times
Are Changing, Kunsthalle Bremen
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1999 |
Nabi
Gallery, Sag Harbor
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1997 |
Creatures,
Benson Gallery, Bridgehampton |
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Dimensions:
Drawing and Sculpture, Arlene Bujese Gallery, East Hampton
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1995 |
Benson
Gallery, Bridgehampton
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1993 |
Reflet-Restitution,
Le Sculpture Pop et Hypperrealiste, Abbaye St. Andre, Meymac, France
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1991 |
Staatsportrait,
Galerie Inge Baecker, Cologne, Germany
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Art
on Paper, Witherspoon Gallery, University of North Carolina, Greensboro |
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Sammlung
Onnasch, Museum Weserburg, Bremen
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1990 |
20th
Century Long Island Landscape Painting, The museums at Stony Brook,
Brookhaven
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1989 |
Collage,
Assemblage and Construction, Vered Gallery, East Hampton, New York |
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American
Art Today: Contemporary Landscape. The Art Museum at Florida International
Univeristy, Miami, Florida |
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Wirklichkeit Als Konzept,
Galerie Inge Baecker, Cologne, West Germany |
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Neo-Romantics,
Art Gallery, Williams Center for the Arts, Lafayette College, Easton,
Pennsylvania
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1988 |
Visions/Revisions:
Contemporary Representation. Marlborough Gallery, New York, New
York |
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Drawing
on the East End, The Parrish Art Museum, Southampton, New York
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1987 |
Seven
D.A.A.D. Artists, Zellermayer Gallery, Berlin, West Germany
Friends of L.T.D., Kent-Paris-New York Gallery, Kent, Connecticut
PoArtics, BACA Downtown, Brooklyn, New York
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1986 |
Through
the Window, Alex Rosenberg Gallery, New York, New York
Vered Gallery, East Hampton, New York
Collaborations and Illustrations of Larry Rivers, Adelphi
University, Garden City, New York
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1985-86 |
Vom
Zeichnen, Kunstverein, Frankfurt; Kunstverein, Kassel, West
Germany; and Museum Moderner Kunst, Vienna, Austria
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1985 |
The
Gathering of the Avant-Garde, Kenkelba Gallery, New York, New
York |
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Starved
for Art, Visual Arts Museum , New York, New York |
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Kanovitz/Rivers,
Indianapolis Musum of Art, Indianapolis, Indiana
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1984 |
Automobile
and Culture, Los Angeles Museum of Contemporary Art, Los Angeles,
California |
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Artist
in the Theatre, Guild Hall Museum , East Hampton and Hillwood
Art Gallery, Long Island University, Brookville, New York
Artists of the Hamptons--Then and Now, Benson Gallery, Bridgehampton
and Alex Rosenberg Gallery, New York, New York
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1983 |
Figure
as Form, Phoenix II Gallery, Washington, D.C.
Selections from the Permanent Collection, Guild Hall Museum,
East Hampton, New York
Howard Kanovitz/Betty Parsons, Louise Himelfarb Gallery,
Southampton, New York
Bologna-Landi Gallery, East Hampton, New York
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1982 |
Twenty-five
Artists, Phoenis II Gallery, Washington, D.C.
Spiegel-Bilder, Wilhelm-Lehmbruck-Museum , Duisburg and Haus
am Waldsee, Berlin, West Germany
46th Annual, Butler Institute of American Art, Yougstown,
Ohio
In Celebration of Summer, Loise Himelfarb Gallery, Southampton,
New York
Made in New York, Andre Zarre Gallery, New York, New York
Poets & Artists, Guild Hall Museum , East Hampton, New
York
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1981 |
Still
Life Painting & Drawings, Parrish Art Museum, Southampton,
New York
Form, Color, Line, Alex Rosenberg Gallery, New York, New
York
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1980 |
Portraits
Real & Imaginary, Guild Hall Museum, East Hampton, New York
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1979 |
The
Revival of Realism, Lehigh University, Bethlehem, Pennsylvania
Installation of A Death in Treme, Nationalgalerie, Berlin,
West Germany
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1978 |
Aspects
of Realism, Guild Hall Museum , East Hampton, New York
From the Guild Hall Collection, Guild Hall Museum , East Hampton,
New York
To the Net, Spectrum Gallery, New York, New York
Woman: From Nostalgia to Now, Alex Rosenberg Gallery, New York,
New York
Als guter Realist muss ich alles erfinden--Internationaler Realismus
heute, Kunstverein und Kunsthaus, Hamburg and Badischer Kunstverein,
Karlsruhe, West Germany
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1977 |
Documenta
6, Kassel, West Germany
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1976 |
Photo-und
Hyperrealismus, Kunsthalle, Darmstadt, West Germany |
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Aspects
of Realism, Rothmans of Pall Mall, Montreal; Stratford, Vancouver,
Winnepeg, etc., Canada
Through the Window, Benson Gallery, Bridgehampton, New York
Soho in Berlin, Nationalgalerie, Berlin, West Germany
Artists and East Hampton: A 100 Year Perspective, Guild Hall
Museum , East Hampton, New
York
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1974 |
Imagist
Realism, Norton Museum , Palm Beach, Florida and Merrwold West,
Far Hills, New Jersey
Lunds Konsthall, Lund, Sweden
Tendencies in Modern Art, Mordjyllands Kunstmuseum, Aalborg,
Denmark
Works on Paper, Monique Knowlton Gallery, New York, New York
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1973-74 |
American
Photorealist Graphics, Kunstverein, Braunschweig; Stadtische
Galerie-Altes Theater, Ravensburg, Kunstverein, Heidelberg; Overbeck-Gesellschaft,
Lubeck, West Germany; Hedendaagse Kunst, Utrecht, The Netherlands
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1973 |
Amerikanischer
Fotorealismus, Wurttembergischer Kunstverein, Stuttgart, West Germany
Modern Art, Humlebaek, Denmark
Photo Realism: Ludwig Collection, Serpentine Gallery, London,
England
Kunst aus Fotografie, Kunstverein, Hannover, West Germany
Mit Kamera, Pinsel und Spritzpistole, Kunsthalle, Recklinghausen,
West Germany
Amerikanischer Fotorealismus, Kunst und Museumsverein, Wuppertal,
West Germany
American Hyperrealists--European Realists, Kunstverein, Hannover,
West Germany; CNAC, Paris, France; Stadtische Kunsthalle, Munchen,
West Germany; Museum Boymans-van Beuningen, Rotterdam, The Netherlands;
Palazzo Reale, Milan, Italy
American Realism--Post-Pop, Meadow Brook Art Gallery, Oakland
University, Rochester, Michigan
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1972 |
Neue
Realisten, Galerie Kuckels, Bochum, West Germany |
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New
England Invitational Exhibition, Boston, Massachusetts |
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Collections
of Friends of the Museum , Museum Folkwang, Esen, West Germany
Documenta and No-Documenta Realists, Galerie de Gestlo, Hamburg,
West Germany
Documenta 5, Kassel, West Germany
Galerie M.E. Thelen, Cologne, West Germany
Sharp-Focus Realism, Sidney Janis Gallery, New York, New
York
Painting Annual, Whitney Museum of American Art, New York,
New York
Hyperrealistes Americains, Galerie des Quartre Mouvements,
Paris, France
Amerikanischer Fotorealismus, Wurttembergischer Kunsteverein,
Stuttgart, West Germany
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| |
1971 |
Kelpra
Prints, Kupferstichtkabinett, Staatliche Museen Preussischer
Kulturbesitz, Berlin, West Germany
Radikaler Realismus, Galerie De Gestlo, Bremen, West Germany
Radical Realism, Museum of Contemporary Art, Chicago, Illinois
Kelpra Prints, Hayward Gallery, London, England
Radikaler Realismus, Galerie Dorothea Leonhart, Munchen,
West Germany
American Institute of Arts and Letters, New York, New York
Graphics and Multiples, Guild Hall Museum , East Hampton,
New York
Provincetown Art Association, Provincetown, Massachusetts
|
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1970 |
Klischee
und Antiklischee, Neue Galerie, Aachen, West Germany
180 Beacon Corporation, Boston, Massachusetts |
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7
Realisten, Galerie Hella Nebelung, Dusseldorf, West Germany
Warmind, Konsthall, Goteborg, Sweden
Wirklicher als wirklich, Galerie M.E. Thelen, Cologne, West
Germany
22 Realists, Whitney Museum of American Art, New York, New
York
Zeitgenossen, Kunsthalle, Recklinghausen, West Germany
American Painting, 1970, The Virginia Museum , Richmond, Virginia
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| |
1969 |
Contemporary
Art, Suermondt Museum, Aachen, West Germany
Galerie M.E. Thelen, Cologne, West Germany
Art of the 60's: Ludwig Collection, Wallraf-Richarrz Museum,
Cologne, West Germany
Paintings from the Photo, The Riverside Museum, New York,
New York
Recent Acquisitions, Whitney Museum of American Art, New
York
Highlights of the 1968-69 Season, The Aldrich Museum of American
Art, Ridgefield, Connecticut
|
| |
1968 |
Critics
Choice, State University of New York and New York State Council
of the Arts
|
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1967 |
Painting
Annual, Whitney Museum of American Art, New York, New York
|
| |
1965 |
Painting
Annual, Whitney Museum of American Art, New York, New York
|
|
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1964 |
Contemporary
American Figure Painting, Wadsworth Atheneum, Hartford, Connecticut
|
| |
1962 |
Krannert
Art Museum , University of Illinois, Urbana, Illinois
|
| |
1961 |
Americans,
The Art Institute of Chicago, Chicago, Illinois
|
| |
1960 |
Great
Jones Gallery, New York, New York
|
| |
1956 |
Tibor
De Nagy Gallery, New York, New York
|
| |
1955 |
Annual,
Stable Gallery, New York, New York
|
| |
1954 |
Tanager
Gallery, New York, New York
Hansa Gallery, New York, New York
Annual, Stable Gallery, New York, New York
|
| |
1953 |
Tanager
Gallery, New York, New York |
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selected
literature
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| |
|
Abadie,
Daniel. "L'impossibilite . . . etc.," Hyperrealistes Americans,
(exh. cat), Galerie des 4 Mouvements, Paris, 1972.
Aldrich,
Larry. Highlights of the 1968-69 Season, (exh. cat.). The
Aldrich Museum, Ridgefield, Connecticut, 1969.
Aloway,
Lawrence, "Art," Nation Magazine, December 1969. American
Art Today: Contemporary Landscape, (exh. cat.). The Art Museum of
Florida International University, Miami, Florida, 1989.
Ammann, Jean-Christoph, Realismus, cat. sub. 15. Documenta
V, Kassel, 1972.
-----------"Fotorealisme/methode en receptie," Werkelijkheid
is Meervoud, (exh. cat.), Groninger Museum voor Stad en Lande,
Groningen, 1973.
Ashbery, John. "Howard Kanovitz," Art News, March 1969.
Ashton, Dore. "A Illustrator of Different Antecedents," Studio
International, April 1986. Auffermann, Verena, "Gemaltes Gesprach,"
Westermans Monatshefte, November 11, 1985.
Becker, Wolfgang, "Conversation with Peter Ludwig," Kunst um
1970 (der Bestand '72), (exh. cat), Neue Galerie der Stadt Aachen,
1972. ----
-------"Die Fotografie eines Baumes ist kein Baum," Mit Kamera,
Pinsel und Spritzpistole, (exh. cat.), Kunsthalle, Recklinghausen,
1973.
-----------"Realisme van nu," Werkelijkheid is Meervoud, (exh. cat.).
Groninger Museum voor Stad en Lande, Groninger. 1973.
Berkson, William, Howard Kanovitz, (exh. cat.), The Jewish
Museum , New York, 1966.
Braff, Phyliis, "Howard Kanovitz," East Hampton Star, April
8, 1982.
Buongurio, Edgar, "Howard Kanovitz," (exh. cat.), Arts Magazine,
March 1979.
Calatchi,
Maurice-Frederick, "Preface," First Photorealism Auction,
Espace Cardin, Paris, 1973.
Chambers, John, "Perceptual Realism," Artscanada, February/March
1970. Coke, Van Deren, The Painter and the Photograph, from Delacroix
to Warhol, Albuquerque, 1972.
Constable, Rosalind, "Style of the Year: The Inhumanists," New
York Magazine, 1968.
Cunningham, Peter, "Reunion," The Southampton Press, August
21, 1986.
Delatiner, Barbara, "Art to Read as well as See," The New York
Times, July 4, 1982.
Farb, Oriole, Paintings from the Photo (exh. cat.), The Riverside
Museum, New York, 1969.
-----------"The New Romantic Lanscape," Visions/Revisions: Contemporary
Representation, (exh. cat.), Marlborough Gallery, New York,
1988.
Florescu, Michael, "Kanovitz: The New Work," Arts Magazine,
February, 1979.
-----------"The Impulse to Autobiography
in the Works of Howard Kanovitz," Howard Kanovitz, (retrospective
exh. cat.-English translations), Akademie der Kunste, Berlin, 1979.
Frank, Peter, "Howard Kanovitz: Works of the 1980's," Howard
Kanovitz: Works of the 1980's, (exh. cat.), Marlborough Gallery,
New York, 1988.
van Ginneken, Lily, "Realisme, Het jaar in word en beeld," Winkler
Prins Jaarboek, 1973.
Gluek, Grace, "Fooling the Eye," The New York Times, March
9, 1969.
Gruen, John, "Howard Kanovitz," New York Magazine, October
1966. -----------"The Extended Vision," New York Magazine, January
1970.
Hanson, Lars, Warmwind, (exh. cat.), Konsthall, Goteborg,
March 1970.
Haryu Ichiro, Sign and Image, Kodansha Ltd., Tokyo, 1973.
Henry, Gerrit, "Howard Kanovitz," Art News, April 1971, p.
15.
-----------"The Real Thing," Art International, XVI, 1972,
pp. 6-7.
-----------"Howard Kanovitz," Art News, October 1982.
-----------"Howard Kanovitz at Marlborough," Art in America,
September 1988.
-----------"Neo-Romantics, (exh. cat.), Art Gallery, Williams
Cetner for the Arts, Lafayette College, Easton Pennsylvania, 1989.
Hieber, Lutz, "Technisierung von Umwelterfahrung," Prokla #2,
1984.
Hoffman, K.I., Graphischer Realismus der Gegenwart, (exh.
cat.), Kunstverein, Wolfsburg, 1973.
Holtmann,
Heinz, "Der ewidge Streit um den Begriff Realismus," Amerikanischer
Fotorealismus, Grafik, (exh. cat.), Kunstverein, Braunschweig,
1973.
Honnef,
Klaus, "Howard Kanovitz," Heutige Kunst, (exh. cat.), Suermondt
Museum, Aachen, 1969.
Hunter,
Sam, Howard Kanovitz, (exh. cat.), The Jewish Museum, New
York, 1966.
-----------Critics Choice, (exh. cat.), New York State Council
of the Arts, 1968.
-----------Howard Kanovitz, (exh. cat.), Waddell Gallery,
New York, 1969.
-----------180 Beacon Corporation Collection, Boston, 1970.
-----------American Art of the 20th Century, Harry Abrams,
New York ,1973.
-----------"Howard Kanovitz's New Paintings,"
Arts Magazine, April 1975.
Hurley, Patricia M., "Kanovitz's Realism," Art/World, March
2, 1982.
Kerber, Bernhard, "Tendenzen im Neuen Realismus," Wort und Wahrheit:
Zeitschrift fur Religion und Kultur, XXVIII, 1973.
Kluesener, Erika, "From Sacra Conversazione to 'The Drinks'," Howard
Kanovitz, (retrospective exh. cat.-English translation), Akademie
der Kunste, Berlin, 1979.
Kluyver-Cluysenaer,
Margareet, Realism: Emulsion and Omission, (exh. cat.), Agnes
Etherington Art Centre, Queen's University, Kingston, Ontario, September
1972.
Kohen,
Helen, "Landscape show rich in tradition," The Miami Herald,
January 15, 1989, p. 5K.
Kultermann,
Udo, Neue Formen des Bildes, Wasmuth Pub., Tubingen, 1969.
-----------The New Painting, 1969; revised ed., Westview
Press, Boulder, 1978.
-----------Howard Kanovitz (exh. cat.), Galerie M.E. Thelen,
Cologne, 1970.
-----------"Realism Today," Hyperrealistes Americains, (exh.
cat.) Galerie des 4 Mouvements, Paris, 1972.
-----------New Realism, New York Graphic Society, Boston, 1972.
Kurtz, Stephen, "Howard Kanovitz," Art News, December 1969.
Leering,
H., Relativerend Realisme, (exh. cat.), Van Abbe-Museum ,
Eindhoven, 1972.
Mellow, James R., "New York Letter," Art International, XIII/4,
April 1969.
Merkert,
Jorn, "Between Worlds, Howard Kanovitz, Painter
of Contradiction," Howard Kanovitz, (retrospective exh.
cat.-English translation), Akademie der Kunste, Berlin, 1979.
Monte,
James, 22 Realists, (exh. cat.), Whitney Museum, New York,
1970.
Nakahara,
Yusuke, Man-Made Nature, Kodansha Ltd., Tokyo, 1973.
O'Hara,
Frank, Three Poets Introduce Three Painters, Tibor De Nagy
Gallery, New York, 1956.
Ott,
Gunter, Pole der Gegenwort, Cologneische Rundschau Cologne, 1970.
Peterson,
Valerie, "Marisol Escobar and Howard Kanovitz," Art News,
April 1961.
Pfeiffer,
Gunter, "Durch Technik Kalt Bedroht," Cologneer Pfeiffer Stadtanzeinger,
1970.
Pincus-Witten,
Robert, "22 Realist: Whitney Museum ," Artforum, April 1970.
Preston,
Malcolm, "Melding 2 Disciplines," Newsday, July 21, 1982.
Raynor,
Vivien, "Gathering of the Avant-Garde," The New York Times,
May 31, 1985.
Rohsmann,
Arnulf, Manifestationsmoglichkeiten von Zeit in der bildenden
Kunst des 20 Jahrhunderts, George Olms Verlag, 1984.
Rosenthal,
Judith, "Howard Kanovitz," Arts Magazine, February 1979.
Ruhrberg,
Karl, "Virtuoses Doppelspiel mit der Wirklichkeit," Art, Hamburg,
no. 8, August 1989, pp. 28-39.
Rump,
G. Charles, "Exhibition at Inge Baecker," Cologneische Rundschau,
May 7, 1987.
Sager,
Peter, Neue Formen des Realismus, Dumont, Pub., Cologne, 1973.
-----------"Neue Formen des Realismus," Magazine Kunst, 4
Quartal, 1971.
-----------"Schock Beim Wiedererkennen," Stuttgarter Zeitung,
February 2, 1972.
Sandler,
Irving, "Howard Kanovitz," Art News, Summer 1962.
Schjeldahl,
Peter, "Howard Kanovitz," Village Voice, September 22, 1966.
-----------"The Flowering of the Super Real," The New York Times,
March 3, 1969.
Schmied,
Wieland, "Howard Kanovitz' Paintings," Howard Kanovitz, (retrospective
exh. cat.-English translation), Akademie der Kunste, Berlin, 1979.
Schmoll
[Eisenwerth, J.A.], "Malerei-optische Hilfsmittel-Fotografie," Mit
Kamera, Pinsul und Spritzpistole, (exh. cat.), Kunsthalle, Recklinghauseen,
1973.
Schneede,
Uwe, Amerikanischer Fotorealismus, (exh. cat.), Wurttembergischer
Kunstverein, November 1972. Sello, Gottfried, "Kunstkalnder," Die
Zeit, April 17, 1970.
Selz,
Peter, American Painting 1970, (exh. cat.), The Virginia
Museum , Richmond, Virginia, 1970. Thomas, Karin, "Realismus," DuMonts
kleines Sachworterbuch zur Kunst des 20. Jahrhunderts, Cologne, 1973.
van
Uitert, Evert, "De dubblezinnigheid van de realiteit." Relativerend
Realisms, (exh. cat.), Van Abbe-Museum , Eindoven, 1972.
Wallach,
Amei, "Stylish Musclewomen," Newsday, June 24, 1983.
Ward,
John L., American Realist Painting 1945-1980, UMI Research
Press, Ann Arbor, MI, 1989.
Wellershoff,
Dieter, Howard Kanovitz, (exh. cat.), Galerie Jollenbeck,
Cologne, 1977.
-----------"Construction of a Imaginary Space," Howard Kanovitz,
(retrospective exh. cat.-English translation), Akademie der Kunste,
Berlin, 1979.
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